THE BUILDING OF THE KOSMOS/PART 2

 

THE BUILDING OF THE COSMOS

 

 

 

I. - SOUND

 

 

 

BROTHERS, - When first the great Scriptures of the Hindu nation made an impression on European thought, that impression was one of a some­what strange and remarkable character. There was a conflict amongst European thinkers as to the origin and as to the value of this ancient literature. On the one side, it was acknowledged that a pro­found Philosophy might there be seen; on the other, the idea of finding such a Philosophy amongst a people regarded as less civilized than those who became their critics - that idea led to much of controversy as to the way in which these books had originated, and as to the influence which had been at work in their construction. And even today, when the depth of their Philo­sophy is admitted, and the grandeur and width of their range of thought is no longer challenged, you find men like Professor Max Müller, who have given their lives to the study of these books, you find them speaking of the Vedas as the babblings of an infant people. You find them denying that there is any kind of secret or hidden doctrine ­hidden under the veil of symbolism, concealed under the mask of allegory. It seems to me as though in the West it is impossible for thinkers to understand that you may have an infant race, and yet that race have Divine Instructors; that you may have a growing civilization, but have that civilization under the guidance of those who are specially illumined by the Spirit that is Divine. And so they have failed to understand the value of the Scriptures, seeing only the masses of the ancient people, understanding nothing of the dignity of those who stood above them as Teachers and as Guides. Trying to find what is called a purely human origin for the Scriptures, they have lamentably failed in their analysis: for where the Divine is put aside, the growth of no nation can be understood, and where the hidden Deity in man is ignored, no real grasp can be gained of Philosophy, or of Religion, or of civilization.

 

Now my attempt - and it must be a very imper­fect attempt - in these lectures, is to vindicate the position that within the Hindu Scriptures you may find Philosophy, Science and Religion of the deep­est, of the widest and of the most inspiring kind; that the Science of the West is slowly beginning to tread the paths which in these Scriptures are clearly traced; that the knowledge which the West is beginning to gather from observations of the external universe, is knowledge which may be more rapidly acquired by the study of the Scrip­tures, which were written by those who studied the universe from within rather than from without.  Thus we may read that in the Lotus-chamber of the heart with its ether-filled space we may see everything which in the external world may be found.

 

Both the heaven and earth exist within it. Both Agni and Vayu, both the Sun and the Moon … and what­ever else exists in this Universe are there, so that in finding his Spirit, man also finds everything which exists in the Kosmos.  This is a statement not only beautiful in its poetry, but accurate in its science; and by really finding the eyes of the Spirit, those eyes that pierce through every veil of external nature, we can gain knowledge at once more accurate and more profound than can be discovered when the study is pursued purely through the eyes of the flesh.

 

Now in pursuing this line of investigation, very great help has been given to us by that Russian lady and great Teacher known to us as Helena Petrovna Blavatsky. Her value to the world does not lie in the question as to whether she were or were not able to perform certain acts which others might be unable to rival. Her value to the world does not lie in whether she be a wonder-worker or whether she be a conjurer. These points are not the points by which ultimately she will be judged by posterity. From my own standpoint these so-called marvels are matters of comparative indifference; the whole of these, while interesting from one standpoint, I look upon as of compara­tively small significance. Her real value was that she unveiled to us the secret of the Ancient Know­ledge, that she put into our hands the keys by  which we might ourselves unlock the gates of the inner sanctuary, that she came to us knowing the things of the Spirit and able to explain to us how we for ourselves might follow the clues which she gave; so that those who are instructed in this Esoteric Philosophy - spoken of in modern times as the Theosophical Teachings - those who are in­structed in it can turn to the Vedas, can turn to the Puranas, and there find knowledge which from the ordinary reader is hidden. Thus she acts as a great Teacher, filling the function which in ancient times was carried on between the Teacher and the disciple: taking the Scriptures and unfolding their inner meaning and so opening the way for spiritual progress, making it possible for us to attain to the Ancient Wisdom of the temples. I am going to try to justify that view by showing - having taken certain teachings from the ancient Hindu Scrip­tures - how these teachings become clearer and more easy to grasp, when they are read in the light which she has thrown upon them in the volumes spoken of by the name of The Secret Doctrine. I am going to support that teaching also by reference to the most advanced Science of our own  day, showing you how The Secret Doctrine, which is really the most ancient Indian teaching, is sup­ported on the one side in the West by what is called Science, and on the other side in the Past by the Scriptures, which may be made more in­telligible, more coherent, and of which the ap­parent contradictions vanish, when they are viewed in the light of these Secret Teachings of which a fragment only is given to the world.

 

Now speaking of the building of the Kosmos, I cannot at the very outset deal with the question according to Science as it is understood in Europe, because Science does not, in Europe, deal with the beginning of things. It only deals with manifesta­tion after it has reached a certain point. It tells us nothing, as it were, of the first burgeoning out into existence of the Kosmos. It deals with no­thing until we have Matter in a form which the physical senses can appreciate, or at least which the imagination, following on the lines of the physical senses, is able to construct. Tyndall has spoken of the scientific use of the imagination, and in that way we can go on scientific lines be­yond that which actually may be sensated. It is no longer argued that that only is true which can be perceived by means of the senses; that was the position held some thirty years ago. It is one which the progress of Science has made it impossible to hold today. But you do find that Science still maintains that nothing can come within its purview save such concepts as may be formed by the intellect on the facts which have been collected by the senses; so that when you are dealing with the existence of the manifested Kosmos, you must not in your thought go beyond those material conceptions for which you already have foundation in the material phenomena that you have observed. That is, you may go beyond the aggregation of Matter that you can see, and you may posit the existence of the atom which is invisible, and which can only be seen by an effort of the scientific imagination. But you must not go beyond that which this imagination can con­struct out of the material supplied by the senses. Crookes, it is true, deals with the building of the atom, but even then he only carries it as far as what is called protyle or original Matter; beyond that Science will not go. It refuses to go further into the origin of things. It refuses to ask: Is it possible that behind this protyle we may still trace growth and evolution? So that in the first tracing we have only The Secret Doctrine and the Scriptures. We cannot bring in the scientific criticism and assistance until a little later in the argument.

 

Now in order that this argument may be com­plete from our own standpoint, I want to make a brief comparison between the beginning of things as we find it in the Shastras, and the beginning of  things as it is traced for us in the book called The Secret Doctrine; so that we may see, as I think we shall see, that the coherent statement that is made in the latter is exceedingly helpful, when we are puzzling ourselves somewhat over the many state­ments of the different aspects of the evolution that we find in the Shastras. For you must remember that blinds have been deliberately used in these Scriptures that have been placed in our hands.  We cannot, by reading them consecutively, always gain a coherent notion of the whole which in this fragment is represented, and we gain very much in time if we get a glimpse of the whole, so that when we meet the fragment, we can put it into its proper place in the edifice which we are trying to con­struct, instead of searching everywhere, and keep­ing our knowledge fragmentary, for need of that architectural plan which Madame Blavatsky really supplies.

 

Let us turn first to the Shastras and see how they trace for us the origin of things. Here there is a very noticeable difference between the Puranas and the Upanishads. You will find more detail­ - detail given in successive descriptions, as it wherein the Puranas; you will find in the Upanishads a philosophic rather than cosmological view, especi­ally a view which starts from the Spirit in man and shows the connection of that Spirit with the Source whence it came. This will make a difference in the view of the universe presented in these two great divisions of the Shastras, and you will find one point especially of difference that I will put to you, which may sometimes have puzzled the reader as to the possibility of reconciliation between the two. First of all then, if I may use what seems a paradox, but is really a truth, before the “origin of  things” thought is thrown backwards; for the origin of things means manifestation, it means differentiation. The very word “things” implies manifested existence. Before the manifest, there must be the One; even in European Science this is recognized, and they rightly allege the One to be inscrutable and the phenomenal to be the object of observation. But you will very rarely find that the existence of that which is behind phenomena is denied - save perhaps in some comparatively small schools of thought, that see in the universe nothing but a mass of changing phenomena, with no under­lying unity in which these phenomena inhere. Generally, if Science becomes Philosophy, the One is posited as incognizable and unknowable to hu­man thought. But there is a yet deeper conception in the Hindu view of the universe: for that which by human thought is unreachable, is still, as one may say, on the outer limit of manifestation, and even behind that outer limit, behind and beyond Brahman - who is described as invisible, intangible, unseeable, and unseizable even by thought that which cannot be proved, and whose only proof is in the belief in the soul - behind that, there still is posited that which has no name but only a descrip­tive epithet, that can only be spoken of as the “beyond Brahman” - Para Brahman - of the Philo­sopher, the “Unmodified Vishnu” of the Vishnu Purana. Now on THAT, the Unmodified Vishnu, there is nothing to be said and nothing to be thought. Neither thought nor speech has any­thing to do in that region, and we can only begin either to think or to speak when manifestation occurs, and when out of that darkness which may not be pierced, the first quiver comes forth which is Light, the possibility of manifested existence.

 

And then we come in the Scriptures to the first of all manifestations, to that which is spoken of sometimes - and notice the fact - as manifested and sometimes as unmanifested; unmanifested in itself, but manifested in the act of generation. For our thought soars, as it were, to Brahman, albeit Brah­man Itself is unseizable by human thought. And we find Brahman or Its equivalent spoken of, in both those great sources of study, Upanishads and Puranas, as triple in Itself, although not triple in direct manifestation. The One, but with an inner and latent three-foldedness, which will appear gradually in manifested sequence and make the universe of things a possibility. Brahman Itself is essentially threefold; whether you take it as you may find it in the Taittiriyopanishad, where Brah­man is spoken of as Truth, as Knowledge, as In­finity, or in that phrase which is more familiar to us, as Existence, as Bliss, as Thought. Really in these words you have the same conception - Sat­-chit-ananda - so familiar always in speaking of the Supreme, and this is but another phrase for that which you find in the Upanishad quoted. For what are Satyam, Gnyanam, Anantam? These are only different human words which fail in the attempt to represent realities, and whether you take the one or the other threefold phrase it matters not; what you do need to grasp is that these are latent in the first Emanation, and that the beginning of the Kosmos is the unfolding of this threefold latency into manifestation, is the becoming active of the latent potentialities.

 

Now you have in the Vishnu Purana that which represents this same thought of the triple latency; you have the first manifestation of Vishnu which is Kala, Time, which is neither Matter nor Spirit, but which exists when both of these have disappeared into it. You may remember in the second chapter of Vishnu Purana we are told that there is Pra­dhana, which is the essence of Matter, Purusha, which is the essence of Spirit; when these dis­appear, the form of Vishnu that is Time remains; thus there is this conception of Time without beginning and without ending, which, as it were, stands behind the next manifestations, joins them, and makes them possible. Then you come to the second stage, which in this Purana is given under the name of Pradhana-Purusha, essential Matter, essential Spirit - out of the One, the Two, which means manifestation; and that is why Brahman is spoken of as both unmanifest and manifest. It is unmanifest in Itself; It is manifest when the Two appear from the One, and this duality makes the Kosmos possible. Then you may find many words in many books, all of which convey the same thought: the duality on which so much stress has been laid by Subba Rao - whose death every Philosopher must regret for the work that he might have done in this unification of the secret and the published thought. You have Mulaprakriti and Daiviprakriti - which are only other expressions for that which in Greek thought is called the Logos - in mani­festation. Again, you have the one characteristic given you of that Pradhana, that it is Vyaya, ex­tensible; you cannot begin to describe, because  attributes are not yet evolved, but you have the one characteristic of extensibility, which always means the possibility of form; so that in this Second, which is manifested from the One, there is the essence of form - that which is to take on mani­fold appearances - and you have also that which is to come out in form, the Purusha which moulds, working on the Pradhana, and thereby makes the manifoldness of the manifested universe possible. Then there is - still following the Vishnu Purana - the third stage, or Mahat, that which is to be the controlling and directing force, that which is to be the Over-ruler, as we may say, which in every case will guide the evolution of the universe, and make it consistent, reasonable, right through; and here I cannot but remind you for a moment that, in the last expression, I have used a thought which we lately heard from Professor Huxley. He speaks of an Intelligence that “pervades the universe”, recognizing, as it were, such an Intelligence after professing Agnosticism for so many years. There is an Intelligence of which he is obliged to admit the pervading quality, which is essentially the same as that fundamental conception of Mahat, which is intelligence without limitation, save such limita­tion as the very fact of manifestation must imply.

 

Now these three stages in this clear, definite pre­sentment from the Vishnu Purana are somewhat difficult to trace in the Upahishads, but let me say before leaving their presentation in the Purana  that the Three are but the unfoldment of the One, of the Satchitananda which you have latent in the First. You have differentiated Them when you regard Them as three. The First is then Sat, pure Existence. What is the Second, which is dual, save Ananda, for the very fact of bliss implies duality? What is Mahat but Chit in manifesta­tion? So that it is really a process of unfolding, as I said; all that which is latent in the One be­coming manifest in the Three. In the Upanishads this unfolding is somewhat veiled. There is a ten­dency in the Upanishads to pass directly from the Brahman in which all is latent, to the Spirit in man which is Brahman in the heart - the Logos of the individual Soul. None the less in the Upanishads here and there you will find traces given which show you that the same thought is present which is more definitely unfolded in Pauranic writ­ings. You will find if you will turn to the Mun­dakopanishad, it is said there that from Brahman is produced Life - which is Ananda - and Mind, which is Chit; then it goes on to the five elements, ether, air, light and the rest. So that you do have the same succession, although but little stress is laid upon it, the object of the writer being different from the unfolding of the Kosmos. So again you may find in the Brihadaranyakopanishad the trinity of Life, Name and Form. Life, from which the Two proceed; and Life is concealed by Name and Form, that is, the First is concealed by Its dual manifestation. So also you will find the same idea in the Kathopanishad in the succession which is traced in the gradual search after Spirit; when you have gone through Manas to Buddhi, from Buddhi to Atma, beyond Atma there is the Unmanifested, and beyond the Unmanifested there is the Great Soul, therein spoken of as Purusha. Thus you get this most suggestive fact, that between the Spirit in man, and that beyond which there is naught, there is given but one stage, “the Unmanifested”. What is the underlying thought of that single instead of triple presentation? It is to tell those whose eyes are opened that to the Spirit in man there is but One between it and That which is unknowable, for the Logos of the Soul is one, and one is the Ray of which the Spirit is the reflection in the heart; so that in the Upanishad, which is meant to lead you to the finding of the unity of the Spirit with its Lora, everything is ignored save that one Logos to which the Spirit belongs, and the very Kosmos in its multiplicity disappears when the Spirit itself is seeking the source whence it came.

 

Now turning from this sketch taken from the Scriptures themselves, let us take The Secret Doc­trine - I am using that name simply for the book called by it - we shall find that the whole of these most complicated teachings are presented in a form so simple, so clear, that we may take it as a clue to guide us in studying the far more difficult form in which it is presented to us in the Hindu writings. It being built entirely on the same foundation as that of the Shastras, you find first postu­lated Para Brahman, on Which nothing may be said; and then the presentment of the three Logoi, the word Logos being used, as being more familiar in Western thought, and as having as we shall see in a moment when I come to deal with Sound - special significance with regard to the building of the Kosmos. The very word Logos implies the Builder, inasmuch as the uttered sound is the Great Builder of all manifested forms. And then we have traced for us the succession of these three Logoi, only the ancient Trimurti under another name, that we have been studying in the Scriptures themselves; we have the First Logos unmanifest, that is one title which is given to it. The First, the Unmanifest, appears but to disappear, because so far as Kosmos is concerned, the First Logos is unmanifested; it can only become manifest to the Spirit in man which is one with Itself. Then the One differentiated into Two, and, using the language of the West, this duality is described as “Spirit-Matter” - not Spirit and Matter, for you have but two aspects of the One, and if you divide them in thought you begin with a mistaken con­ception. The universe does not grow out of Spirit and Matter - two separate conceptions - it is an evolution from Spirit-Matter, or the One with a dual aspect. And so in this second you have, as I said, the Ananda aspect, and you find H. P. Blavat­sky laying great stress on this fundamental unity which yet becomes dual in manifestation, Spirit-­Matter, Purusha-Pradhana. These are but the two primeval aspects of the One and the Secondless. And then when she went on to throw to the care­ful student a hint as to the symbolism of the sub­ject, by which he may unveil this fundamental mystery of the Kosmos, you find her dealing with the symbolism of the moon and suddenly throwing into the paragraph on the moon this phrase:

 

Lunar magnetism generates life, preserves and destroys it; and Soma embodies the triple power of the Trimurti, though it passes unrecognized by the profane.

 

Then a little further on she speaks of The One Divine Essence, unmanifested, perpetually begetting a Second Self, manifested, which Second Self, androgy, nous in its nature, gives birth in an immaculate way to every thing macro- and micro-cosmical in this Universe.

 

In this sentence in which the writer throws in the notion of the moon in an apparently somewhat curious way, you have the key to much of the allegory which will explain to you these obscure beginnings of the building of the Kosmos. From one side you have the sun and from the other side the moon. On the one side you have the light, and on the other side the water; fire and water everywhere, as that by which the building of the universe may take place, and fire and water are but the names for Spirit and Matter, and but express this duality of the Second Logos. In this second manifestation fire is the Daiviprakriti or the Light of the Logos; water is a manifestation of the Mulaprakriti or the root of all Matter. As they proceed, it is along this dual line; and the moon (as is known by every student) is constantly represented as androgynous, sometimes as male, some­times as female, today as God, King Soma, to­morrow as Goddess, so that this is always pressed on your attention. When you think of the moon you have the double side, positive and negative, that which in our world we recognize as sex. Thus we have perpetually this antithetical duality, with­out which no building can be, for you must have the passive which nourishes the universe, you must have the active which fecundates; otherwise there is no possibility of reproduction, there is no existence for the universe manifest at all. And then the Third is Mahat, the same name for the ideating power, thought, intellect, which is to be at the very root of existence. So that here again life and thought are to be primary; wherever you find an atom of manifested existence, you will find in it this duality, which it takes from its source; for out of the dual the dual must proceed, and you will neither have unliving Matter nor senseless Energy. Such existences are impossible in a universe that has been generated by Life and by Thought. And this Trinity is, in the deepest sense, of sevenfold constitution, for in the three lie enfolded the seven, as also in the Trimurti, when you begin to think, you will find the seven involved; for in the Tri­murti you are obliged to recognize in each the Shakti side, or duality in each, so that your three  must become six; wherever you realize the One you are obliged in manifestation to realize the Two; you cannot have Vishnu without Lakshmi, you cannot have Shiva without Durga, the two are always recognizable, so that when you think of the Trimurti you are really thinking of six, and the Seventh is that which synthesizes all, and without which this differentiation could never appear; so that in the very foundation of the Kosmos the sep­tenary appears, and it is only the lack of insight in us which has blinded us to that so long. When  we reach this stage, the stage of Mahat, or intelli­gence, at once we come to the possibility of the  manifestation in which Western Science also may play its part; from the word Mahat, you have the threefold Ahamkara, which essentially has the qualities so familiar to every student of the Gita, so familiar to every student I may say of Philoso­phy as a whole - the true or pure, the active or brilliant, the dark or elemental - that Matter of  threefold quality which is necessary for further manifestation, and in which we shall find mani­foldness will appear. So we learn, if we take the Vishnu Purana, that from the Tamasic quality proceed the elements -not the elements of which Western Science speaks, but the five ancient ele­ments; we have no good English equivalent for Bhutadi. It is from Ahamkara that the material universe proceeds; first it generates Akasha, from Akasha air, from air fire, from fire water, and from water earth. Now why this succession? First Akasha: of that we are told the characteristic is Sound; the rudiment of Sound is evolved, and that is the only attribute of Akasha. Then air, and what is air in this sense? Certainly not the air of the atmosphere, certainly not that which is the air of later manifestation, a mingling of gases where the atom has already appeared. The great “Air” of the Upanishads and of the Puranas is the breath of the Supreme, essentially Motion, for only when this conception of motion comes in, is any manifestation possible. So that first you have the Akasha, whose only attribute is Sound; then you have the Motion which is given to that Akasha by the great Breath; and in these you have sound, and then touch, which is the second sense, and from sound and touch - your very Akasha and Air  - you have Fire generated, for which this friction between Breath and Akasha is necessary, and that is the Electricity, without which no further growth can be, and not until you have this succession of Akasha, which can take form from Breath, which can give form to Electricity, which can build into aggregation, until this there does not become possible atomic constitution, from which you may have your water and earth, or the liquid and solid  manifestations of that which hitherto has been the so-called “immaterial”. And notice how that suc­cession is, as it were, guaranteed to us intellectually by the senses of man; see how the first is corre­lated with the sense of hearing, how the second with both sound and touch, the second sense; how with the fire there comes light which is correlated with vision, so that then you have sound and touch and vision; how then there comes water which is correlated with taste, because without moisture taste cannot be, and the four are present; and, lastly, earth, whose essential characteristic is smell, the last of the senses to be evolved in the physical, and therefore the first of the senses to be found on the astral plane when the soul is passing backwards to seek itself. H. P. Blavatsky, of course following this, has already pointed out that the Akasha is that which is generated from the Third Logos, and that it’s only characteristic is Sound. But here at once comes in our Modern Science, and in this conception of the Akasha in which is working the great Breath, so that by the Akasha and Vayu Agni may appear, we find ourselves face to face with the very latest theories and discoveries of Science, and with that genesis of the elements­ which is only another term for the building of the Kosmos - which you may study in Western lan­guage in the writings of Mr. Crookes. Madame Blavatsky in the first volume of The Secret Doc­trine wrote to a considerable extent on these dis­coveries of Crookes so far as they had been published when that book was written; but she pointed out that there were some points which still were lacking. And it is noticeable that only just at the end of her life - it was in 1891, only a couple of months before her death - Mr. Crookes, speak­ing before an audience of the picked Scientists of England, stated that that which had been a hypo­thesis, had become a certainty, and that he was now able to put forward as definitely ascertained theories, things which before he had only been able to suggest as hypotheses which might be useful as a guide to discovery. And what is this great dis­covery of his which it was said by one of those who listened to him would put his name on a level with the greatest thinkers and the greatest Scien­tists of our time? It was the discovery that the atom was not eternal, that the atom was produced and not primary, that it was destructible, and therefore had come into existence - for only that which is indestructible is eternal, as every Philo­sophy will admit. And he showed that the atom must be looked upon as dual, that it must be re­garded as a neutral body formed by the joining of the positive and negative elements in Nature, and that the atom was permanent just because of its duality, because as it were the two were knit to­gether, and that gave it its stability and its power to act as the brick, so to speak, in the building of the world; and then behind the atom he placed what he called “the protyle”, borrowing the name from an Occultist of mediaeval Europe, Roger Bacon, who had used the same word to denote the primeval substance. When he wanted to trace how these atoms were builded, then he found himself com­pelled to posit protyle as primeval substance. Note how the professor closely followed on the line of ancient thought, when he found himself obliged to posit Motion - that is, the great Breath, which is the second element after Akasha, without which the Akasha would remain motionless and therefore without generating anything. Having protyle and motion, he then posits the third, that is the force allied to electricity, which he says traces for itself a spiral course through the space filled with matter. As this spiral course is traced, atom after atom is generated by the aggregation of the protyle; and so all these atoms are formed, falling into definite chemical classes according to the position that they hold in the spiral which is traced by the electrical force. And the spiral is a necessary form; why? First you have motion; imagine the motion is in one direction. As that motion in one direction proceeds through homogeneous matter, it compresses the matter together; and as the mat­ter solidifies, it loses heat. It is a familiar fact that such a fall of temperature must occur; it is one of the most familiar experiments in elementary chemistry, that where matter passes from one state to another, from gas to liquid, from liquid to solid, or from solid to liquid, liquid to gas, that according to the process of the change heat is either given out or else becomes latent. To take the common illustration, if ice becomes water, heat becomes latent to an extent of what is called 8o units, before there is any change in the outer appearance or temperature of the ice. So when the temperature changes with the solidifying of the elements, what must be the result? The result must be that the line representing the motion must change its direc­tion; and with the fall of temperature there will be a change in motion; if you want to represent it, you must no longer have the straightforward line, but one which is the resultant of two com­bined forces moving in different directions, there­fore the necessary tracing of a spiral; so that the  ancient symbol of the Serpent, so familiar in our literature - the Serpent of which I shall have some­thing to say tomorrow - is the most significant symbol of the spiral coiling itself continually, and it thus gives us the very picture of the Kosmic Motion. It is that which our great Scientists were obliged to make when generalizing force in the Kosmos, and the genesis of the elements comes about by this spiral or serpentine motion. This motion H. P. Blavatsky calls the spiral motion of Fohat in Space, for Fohat underlies all forces, and by it the force of electricity is generated.

 

With this there comes Sound. You cannot have Motion in Matter without generating vibration; and all vibration is fundamentally Sound; all vibration is changeable into Sound, transmutable into Sound; and the old phrase that the Serpent glides hissing through Space carries with it a very real signifi­cation. Therefore is it that the first property gene­rated in Akasha is Sound - the Word, the Logos; and you may remember there again how Subba Rao has put this very plainly and very beautifully when he is speaking of the uttered Sound, of the  uttered Word, where he speaks of Fohat as instru­ment of the Word, and where he points out to us that that which we utter is the Vaikari Vach - that is “the whole Kosmos in its objective form”; for the whole Universe is but the uttering of the Word which is latent in the unmanifested Logos, and which is spoken in the second Logos; it is this spoken Word which is the objective Kosmos. So alike in Kosmos and in man is this power of Sound - Sound without which form cannot be, Sound which is the builder of form, which generates form,  every Sound having its own form, and every Sound being of this triple character, that it generates form, that it upholds form, that it destroys form. Thus, once again, the Trimurti appears, the Crea­tor, the Preserver, the Destroyer; they are all One in different aspects, for the Divine is One, what­ever the form of Its manifestation. And here in­deed may we bring together ancient and modern thought; Shabda Brahman is the force that builds the Kosmos, but it is also the force by which a Yogi brings about all the powers within himself; and so, as I say, taking our Western Science, we can now bring, in support of this form - building power of Sound, a number of what are called facts, which to some persons are more convincing than those deeper realities of which the fact is only the phenomenal expression. These facts which Modern Science has gathered with respect to Sound, are valuable to us, not as teaching us - they ought not to have anything to teach us - but as enabling us to convince others who have not understood the value of the Scriptures, though the Scriptures give the essence of which Science only gives the outer manifestation. What then are some of those facts which substantiate the position of the ancient writers that Sound lies at the very origin of forms, and that the multiplicity of forms simply depends upon the variety of the sounds. First, we shall find one of the earliest experiments with regard to Sound - one of the clumsiest, although at the time it seemed beautiful enough. Take, for instance, an ordinary drum, so that in the parchment head of this drum you have a vibrating surface. If you take the bow with which you throw the strings of a violin into vibration, and draw this bow across the edge of the parchment, then a note is given out - a note which depends of course on the ten­sion in the parchment and various other matters which are not important to us. That is simple enough; but it was thought desirable to try to dis­cover what happened when the note was given out; and in order that that which is invisible might be made visible, sand was lightly scattered over the surface of the drum; then the bow was drawn across the edge of the circle of the drum, and this experiment was done over and over again at every point in this circle which was the circumference of the drum. Let me say in passing that European Science is admirable in its patience, in the way in which it repeats over and over again until it gets the fact; in that it is worthy of our admiration, for in that fashion only can these phenomenal facts be discovered. In every portion of the circumfer­ence that was experimented upon, it was found that as the bow was drawn across, the sand was thrown up in the air, but it was also found that when it came back it did not fall evenly over the surface, but formed a geometrical figure. So that the sand spread over the parchment was by sound compelled to assume definite geometrical shapes, different as the notes were changed in character by bowing different points in the circumference. As different intervals in the circumference gave out different harmonics of the fundamental note, it was found different shapes were produced; that at first, touching it at a particular point, you will only get the drum divided into four, because that is the fun­damental note given out by the parchment vibrat­ing as a whole. When you make it vibrate in harmonics you have geometrical shapes of a far more elaborate character. And following out these investigations of harmonics - as they were called­ - we discover that in every note that is sounded, you have not got a single sound but a very com­plex sound that can be divided and subdivided. What seems to us simple is complex; when you strike a note you are sounding a large number of notes at the same time, and the highly trained ear can discover such harmonics; it is the difference of harmonics that gives difference of quality to the sound. Now it is found that the difference of quality, or this splitting-up of one sound into many, was shown to the eyes by the shapes that were traced by this falling of the sand. They then began to get out this difference in a more delicate way, for the sand was a heavy substance, and this parchment was rather a clumsy vibrating material, so that they got more delicate substances, and lighter and lighter finely-divided stuff, such as delicate seeds or the spores of the Lycopodium. This is one of the best things to experiment with, because it is so very light that a very fine vibration throws it into forms. Then they tried tuning-forks - steel forks which, vibrating, give different notes. They obtained the vibrations by means of mirrors ar­ranged to throw a traced picture of the vibrations by the magic lantern through a magnifying lens on to a sheet; and in this way the invisible vibra­tions of the tuning-fork were traced and magnified  and were there seen to form beautiful geometrical designs. On the sheet on which the image from the magic lantern was thrown, it was found that every note gave rise to exquisite forms, which were changed as the note was changed, so that really whenever you are playing any piece of music you are forming the most exquisite shapes in the ether and the air around. That is the way in which pulses of sound are in these ingenious fashions made visible to the eye by throwing them from the magic lantern on to the screen; so that the invisible was made visible, and the power of Sound was made manifest to the eye as well as to the ear.

 

Still further investigations were made, and Mrs. Watts-Hughes proved that when notes were sung into a horn-shaped instrument and a succession of notes thus sounded, more elaborate forms could be builded, forms such as ferns, trees, and flowers - ­all these were generated by the notes of the human voice. In order still further to analyze and see how this was done, a clever instrument was in­vented, in which two pendulums were set swinging, each of the pendulums having its own motion. These pendulums were made to interact with each other, and the motion of one pendulum modified the motion of the other; from these pendulums with their interacting motions, with a pencil at­tached by means of a lever which could be moved in the resultant direction obtained from the two pendulums, most elaborate forms were traced on a card put under the point of the pencil, so that successive motions might be observed; and most marvellously complicated forms were thus obtained, forms like shells of the most elaborate descrip­tion, geometrical shapes perfect in their angles and perfect in their curves. Now as the vibrations of a note are always in one direction, and as the pendulum motions were simply swinging backwards and forwards, the interferences of the pen­dulums, which were made to modify each other, were really the reproduction of the true vibrations interfering with each other or modifying each other. Thus was obtained a graphic picture of the modifications which might be caused by vibrations which were interfering, although each separate one was in one direction; and you find that the result of the interference was this marvellous elaboration of form; and just similarly to that, you find that  the result of the interference of the light-waves is colour. Wherever you break up light-waves and thus make one interfere with another, you get colour coming forth and manifesting itself; so that what we call colour in mother-of-pearl is only the result of a very delicate roughness in the surface which makes interference of the light vibrations with each other; by these pendulums were shown the interference of the vibrations of Sound. So Science has shown us how forms are builded by Sound, and looking at the outside of Nature, we are struck by the strange fact that everywhere we find geometrical shapes. Take the crystal which is found in the mineral world. Every crystal is builded along certain axes of direction. Every crystal takes its shape from these axes of direction. The simplest crystals are built on the simplest lines, and the more elaborate the crystal the more numerous will be the axes which have their centre in the middle of the crystal. Each crystal is built along these axes, and the difference of the crystals depends upon this fundamental arrangement of the axes; so that in the building of the crystals in the mineral world geometrical shapes appear once more. But you cannot separate the crystal from the crystalloid. The crystalloid is like the form of the crystal in the mineral world, but it is found in the vegetable world. No longer is the mineral in Nature divided from the vegetable world, but in the vegetables these bodies are formed of a different kind of material and they are not called crystals but crystalloids. Here again these axes appear and the same suggestion of geometrical form on which the vegetable world is to be built. When we study the vegetable world we go still further. Take for instance a twig of a tree; note and study the arrangement of the leaves on it. You will find that the leaves are arranged in a spiral. The spiral, coming forth once more as the generating force, directs the arrangement of the leaves; sometimes very simple, sometimes very complicated. Take a very simple case like that of the apple tree - which is very familiar to us in England - where the spiral is what we call 2/5; in this the spiral has a double turn, and there are five leaves, which are placed on the points, so to speak, of the spiral, until you have to begin again when five are complete. You will find, if you take a bit of string and twist it twice round the stem or twig of the tree, that on this spiral you have, touched five leaves which are arranged at equal intervals on the string. If you take another kind of plant you will find a different arrangement, but still the spiral; another plant will have another and different arrangement, but still the spiral; so that when the plant is sending out its leaves, it is always working under this law of spiral arrangement, and there is this geometrical rule which governs the apparently irregular sending forth of leaves and flowers. There is no irre­gularity; the most apparently irregular arrangement is only a complicated series of interlacing spirals; for sometimes instead of one spiral you have two; in a few cases you have three spirals, and these three by going round the stem, interlacing, make extremely complicated arrangements which look like confusion; but “that which is Chaos to the senses is Kosmos to the reason”. You will always find this geometrical arrangement underneath the apparently chaotic heaps which you may observe by the eye or the senses. Is it not true as Plato said, that “God geometrizes”? Is not this the fundamental conception of the Scriptures, that Sound-vibration is the builder of form? Is that not justified by these discoveries of Modern Sci­ence?

 

Not only can Sound build; Sound can also de­stroy. Strange that the same force should produce opposite results. People have laughed at it, when it is said in Religion. They are obliged to admit it, when Science repeats what Religion so long has said. That which in Religion is incredible contradiction, in Science has to be reconciled by the discovery of the unifying truth. Why cannot we apply the same theory in Religion when we find what seems to be contradiction? Why cannot we study and seek for that underlying truth, which will make the apparent contradictions but aspects, as the two sides of one shield? Thus the builder of form destroys it; and whereas gentle vibrations build, vehement vibrations tear apart that which the gentle ones have brought together. Inasmuch as no form is solid, but every form consists of molecules with spaces between them, the vibration of the Sound going between the molecules makes them vibrate more and more strongly, throws them further and further apart, until the time comes when the attracting force which keeps them to­gether being overcome, they shoot out and the form becomes disintegrated.

 

If you take a glass, and you discover its funda­mental note - as you may very easily do by half filling it up with water, and drawing a bow across it, and seeing how the water is divided - when you discover the fundamental note, produce that note on some instrument from which you are able to obtain great intensity and loudness of sound; then your glass first will give out the note and you can hear it coming from the glass; you will see the water in the glass thrown into vibration though no one has touched it. The sound grows louder, and the wave­ lets of the water that show you how it is acting get bigger and bigger, become more and more tur­bulent, until dashing against each other they make wave tumults instead of harmony, and then the vibrations of the molecules of the glass which cause all these movements in the water become too great for the glass to stand them; it shivers in every direction. So again Tyndall has taken a glass rod, and rubbing it gently has produced a sound; but making that sound intense, the rod has shivered and disappeared: there were only circular fragments of the glass rod, showing the power of the note which the glass itself had generated. So that everywhere we have the proof that Sound can disintegrate form and can create form; as you see, Sound may act either as builder or preserver or destroyer; for preserver I say it is, since without Sound nothing exists. Everything is in constant motion; one sort of motion builds the form, another preserves the form, a third destroys the form; and the destruction of one form is only the building of another. That which is destroyer in one shape is creator in another. There is no annihilation; for every death in one sphere is a birth into another. So let us finish this rough sketch of this part of the building of the Kosmos and of the power of Sound, by showing how it justifies what has been called superstition and folly, and the mere bab­blings of an ignorant people with regard to the uses of Sound! As long as there has been a Hindu faith, the power of Sound has been recognized in the sacred Word; in that Word lie all potencies; for the sacred Word expresses the One and only Being, every power of generation, of preservation and of destruction. Therefore has been forbidden the careless use of that Word; therefore forbidden its use amongst mixed audiences; therefore should it never be sounded where many people are gathered together, and where mingling and hostile magnetisms are making a confused atmosphere, so that any great sound thrown into it must cause tumult and not harmony; therefore was it never to be sounded save when the mind was pure; never to be sounded save when the mind was tranquil; never to be used save where the life was noble; because the sound that working in the harmonious builds, working in the inharmonious destroys; arid every­thing that is evil is tumultuous, while everything which is pure is harmonious. For the great Breath, which is purity, goes forth in rhythmical vibration, and all that is one with that rhythm is essentially pure and therefore harmonious. But when the great Breath, working on Matter, finds friction, then it is that impurity is set up, and if man in his own atmosphere - using that breath which comes out from him, which is the reflection of the Supreme Breath - is impure, that is, inharmonious, then to sound the name of the Supreme under these cir­cumstances is to invite his own destruction, his own disintegration, for he throws the very force of the Divine into disharmony. What then can he do but destroy that which has nothing in common with the divine harmony? And this is true not only of the sacred Word, but of the mantra that is used to build. Why is it - have you ever thought of it - that when a new life is to be builded within the womb of the mother, mantras are repeated? Why? In order that their building forces may work on the growing life and that it may be thrown into harmonious vibrations, so that that which shall be born may be worthy to be the habitation of a noble Soul. Why is it that from the moment of conception, religion begins for the Hindu? It is because the Spirit must never be without Reli­gion, because, when the Spirit is coming towards its human birth, it is necessary that these forces of Religion should surround it, and help in the building of its earthly home. And so also with sacred Sound the new-born life is welcomed in its very incoming into this world of manifestation; that the sacred harmony may surround it, and give it the impulse in the birth hour, which shall send it on towards harmonious development. Step by step this harmony is to mould the growing life, and when the time comes that the Spirit can work more directly on the physical body, you mark it by the ceremony of initiation which gives to the child the mantra which is to be the key-note of the future life. Therefore the mantra should come from one who knows the key-note of that life, and is able to give it the sounds which are wanted to keep it harmonious right through life. Here comes in this great preserving power of Sound; so that whenever that life is in danger this Sound may protect; whenever that life is threatened by visible or invisible menace, that murmur of the muttered mantra may come between it and the dan­ger, making around it waves of harmony, from which every evil thing shall be thrown back by the force of the vibrations. Let any foe come against it, that foe is flung backwards when it touches these vibrations. And so onwards again right through life to the death hour. Every morning through life that chanted mantram shall give the key-note to the day, and the whole day shall be made har­monious and be brought into rhythm with the sound with which the day has begun; and when the day closes and the sun is sinking once more, the chant should be resounded, so that the dishar­mony of the day may be rendered harmonious, and the Spirit may be made fit to go onwards in the night time towards its Lord. And when the death hour has come and the Spirit must pass onwards into other regions of the universe, the chanted mantram accompanies it. In the ceremonies of Shraddha there are used special sounds which shall break the bondage-house of the Soul, and which shall destroy the body generated on the other side of death which keeps the Soul in prison. So to the very threshold of Devaloka, Sound accompanies it, until it passes into that Loka where the chants of the Devas shall ever surround it in its sojourning with an ocean of harmony, which is not mingled with the discord of the earth; shall there keep it in perfect rest and perfect bliss till the word comes to go backward to the earth, in order that it may serve as harmonizer of Nature once again.

 

 

 

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(ii) Fire